Every week, our drawing night turns into a low-key creative magnet—five bucks at the door or toss something into the potluck pile (snacks and drinks always welcomed like royalty). For two years straight, this meet-up has pulled in everyone from heavy-hitter artists to folks just picking up a pencil for the first time. No pressure, no assignments, no ego—just a chance to draw, hang out, swap ideas, and be around people who actually get why you’re obsessed with making things. Happens every week on, exclusively at EYEDRUM. Good vibes only!

Set 1: Klimchak solo & duo with Ada Mirza

Set 2: JD Walsh Quartet

JD Walsh (Anagrams, Shy Layers, Natural Palace) is a multimedia artist and musician based in Atlanta, GA. He will perform new compositions on the pedal steel guitar with a quartet featuring Colin Bragg on bass and guitar, John Arthur Brown on percussion and drums, and Blake Helton on electronics and drums.

Every week, our drawing night turns into a low-key creative magnet—five bucks at the door or toss something into the potluck pile (snacks and drinks always welcomed like royalty). For two years straight, this meet-up has pulled in everyone from heavy-hitter artists to folks just picking up a pencil for the first time. No pressure, no assignments, no ego—just a chance to draw, hang out, swap ideas, and be around people who actually get why you’re obsessed with making things. Happens every week on, exclusively at EYEDRUM. Good vibes only!

Shane Parish is a guitarist, composer, improviser, and interpreter whose work focuses on the translation of music across traditions, canons, and technologies. Known for his precise and expressive fingerstyle technique and his nuanced approach to transcription, Parish treats interpretation as a compositional practice, using existing works as material for structural and sonic transformation.

His recent solo recordings center on recontextualizing music not originally written for guitar. Autechre Guitar (2026, Palilalia Records) presents acoustic fingerstyle arrangements of music by the English electronic duo Autechre. REPERTOIRE (2024) applies the same methodology to works by composers and artists including Alice Coltrane, John Cage, Aphex Twin, Kraftwerk, Ornette Coleman, and Charles Mingus. Solo at Café OTO (2025, Red Eft Records) documents a live electric guitar performance of English and American folk ballads.

Every week, our drawing night turns into a low-key creative magnet—five bucks at the door or toss something into the potluck pile (snacks and drinks always welcomed like royalty). For two years straight, this meet-up has pulled in everyone from heavy-hitter artists to folks just picking up a pencil for the first time. No pressure, no assignments, no ego—just a chance to draw, hang out, swap ideas, and be around people who actually get why you’re obsessed with making things. Happens every week on, exclusively at EYEDRUM. Good vibes only!

Every week, our drawing night turns into a low-key creative magnet—five bucks at the door or toss something into the potluck pile (snacks and drinks always welcomed like royalty). For two years straight, this meet-up has pulled in everyone from heavy-hitter artists to folks just picking up a pencil for the first time. No pressure, no assignments, no ego—just a chance to draw, hang out, swap ideas, and be around people who actually get why you’re obsessed with making things. Happens every week on, exclusively at EYEDRUM. Good vibes only!

Kris Gruda & Kenito Murray w/ Emily Hay

Kris Gruda and Kenito Murray will play duo whilst utilizing electric guitar, drumset, and other things. KG and KM have collaborated, but this is a 1st time duet! Emily Hay (flutes, vocals, effects) will join them as amidst the set. Therefore, the duo will morph into a trio midstream. Ahoy there!

Chris Cook, Ben Shirley, Taylor Rouss

Every week, our drawing night turns into a low-key creative magnet—five bucks at the door or toss something into the potluck pile (snacks and drinks always welcomed like royalty). For two years straight, this meet-up has pulled in everyone from heavy-hitter artists to folks just picking up a pencil for the first time. No pressure, no assignments, no ego—just a chance to draw, hang out, swap ideas, and be around people who actually get why you’re obsessed with making things. Happens every week on, exclusively at EYEDRUM. Good vibes only!

be not afraid

Be Not Afraid is the moniker of Corey A. Curtis’ decentralizing folk art practice. Relying heavily on handmade “noise boxes” built of salvaged materials and open source circuits designed by artist such as Peter Blasser, Ida Hiršenfelder, Martin Freeman, Travis Johns, etc., Be Not Afraid utilizes simple transistor oscillators and CMOS logic chips to explore “the letting go of control, anxiety, and perfection.” Dabbling in spatial sound and crowd participation he also likes to blur the lines between audience and performer. But really, it is just about having fun and being surprised because as he admits, “I really don’t know what I am doing.” And that is okay.

Andrew Loveless

Kyle Smith (Blotten)

Austin Englehardt

Every week, our drawing night turns into a low-key creative magnet—five bucks at the door or toss something into the potluck pile (snacks and drinks always welcomed like royalty). For two years straight, this meet-up has pulled in everyone from heavy-hitter artists to folks just picking up a pencil for the first time. No pressure, no assignments, no ego—just a chance to draw, hang out, swap ideas, and be around people who actually get why you’re obsessed with making things. Happens every week on, exclusively at EYEDRUM. Good vibes only!

BASrelief

BASrelief is a creative music group featuring mandolinist Majid Araim and cellist Benjamin Shirley, with Julian Scott Bryan on percussion. The group seeks to fashion a space for the traditions of jazz, mountain music, and experimental improvisation to interact, with a focus on deep listening, dynamic energy, and collaborative composition.

Cameron Wilson & Friends

Cameron’s music functions as a living ecosystem, organically weaving ambient textures with propulsive beats. His compositions draw from the intricate rhythms of the natural world—from the microscopic pulse of a cell to the grand cycles of the seasons.
Straddling the intersection of spiritual jazz, electronic music, and contemporary-classical, this performance features a preview of Cameron’s upcoming album 'Walking in Place in Circles'.
Come forth and be immersed!

Every week, our drawing night turns into a low-key creative magnet—five bucks at the door or toss something into the potluck pile (snacks and drinks always welcomed like royalty). For two years straight, this meet-up has pulled in everyone from heavy-hitter artists to folks just picking up a pencil for the first time. No pressure, no assignments, no ego—just a chance to draw, hang out, swap ideas, and be around people who actually get why you’re obsessed with making things. Happens every week on, exclusively at EYEDRUM. Good vibes only!

An evening of improvised music and movement.